The following is a collection of short poems; homages to a few of the many  who passed this year.  Over the last few weeks, I’ve been looking back through obituaries in The New York Times and have been inspired by the lives of a variety of amazing people. It’s probably not surprising the musicians account for the majority of these vignettes. 

 

Here are three longer works that I wrote earlier this year. 

 

Kris Kristofferson

 

Phil Lesh

 

Quincy Jones

 

Enjoy and Happy New Year!

 

2024 RIP

 

Things fall apart; the centre cannot hold

Dystopia slouches ever closer

And overnight my heart, suddenly old

And with 2024, seeking closure

 

What we have lost, too early to tell

But minor chords will be major

Yet let us once more go to the well

There are days and nights to savor

 

Take this moment to breathe the air

And forget it will soon be too hot

Our time is passing so please be aware

Of those who were and are now not

 

Kinky Friedman – 1944

 

He wrote novels, ran for Governor of Texas

A Jewish cowboy wrote songs by the score

Between his cultures he found the nexus:

Both wear their hats indoors”  

 

He was funny, generous, kind and smart

An impresario of imperfection

He loved this earth with his one of a kind heart

No wonder he lost the election

 

He had excessive excesses that led to addiction 

And many successes when he was clear

He said the line is fine between truth and fiction

And he and Jimmy Buffett snorted it one year

 

He was drawn to animals neglected

Donkeys, cats, birds, armadillos!

He had a heart for the rejected

He and the dogs each other’s pillows

 

When Parkinson’s laid him low

They would snuggle in his bed

Impossible they did not know

Time to go where we are led

 

He never married but had company enough

and once remarked of his so-called pets

Dogs teach us loyalty, courage and unconditional love, 

and we teach them to sit and fetch.

 

Mary Mcgee – 1936

 

“Motorcycle Mary” McGee

fiery self-respect – zest for danger

Back of bike is where she was free

Men stopped trying to change her

 

500 miles Baja off-roading

Pushed herself to the brink

She won but a guy got the trophy

Because her helmet was pink

 

Barbara Bowman 1928

 

 

It’s not what happens to you

but what you do about it.

What she accomplished before she was through

Leaves no room to doubt it

 

Depression/Jim Crow girl

But didn’t get lost in that plot

Started a movement changed the world

Giving the youngest a shot

 

Silvia Pinal – 1931

 

She was the last diva of Mexico

Balanced glamour, humor, sensuality

An acclaimed star we would get to know

From Bunuel’s surreal reality

 

From Exterminating Angel sinister dark

The meaning deftly obscured

To Burt Reynolds’s costar in “Shark”

Oh the wonders of the absurd

 

Robert Dixon – 1921

 

One of the last Buffalo Soldiers

Taught cadets how to handle a horse

If racism weighted his shoulders

He never let on and set his course

 

Creating caring community 

A modest Baptist pastor

Do this and you soon will see

You already have what you’re after

 

Angela Alvarez – 1927

 

Latin Grammy – Best New Artist

Fusion jazzy jive 

It’s never too late to get started

She’d just turned ninety-five!

 

Loved Glenn Miller, this Cuban girl

At twelve she wrote her first song

Cleaning houses and kids her world

Sometimes it’s long to where we belong 

 

Shalom Nagar – 1936

 

We’re in this world as tenants.

The only thing we take with us is our good deeds.”

But if you kill, can you defend it?

Blood is blood who knows where it leads

 

Eichmann – architect of horror

He took the living and unborn descendants

So what is one death more?

And yet.. we’re in this world as tenants

 

Andy Paley – 1951

 

 

Curator of classic 1960s pop

Phil Spector without the whack

Infectious energy that did not stop

Until Death laid down a track

 

Madonna, Jerry Lee, Lou Reed

Brought Brian Wilson back to the flow

Knew when to step back and when to lead 

Filled in for Joey “Come on Let’s Go” 

 

Duke Fakir – 1935

 

Abdul Fakir, who was known as Duke

Last of the Four Tops

There was a time, all over the juke,

Motown, Michigan all you got

 

The same old song fresh as the air

Radio waves came from above

Reach out I’ll be there

Standin’ in the shadows of love

 

Duke’s smooth harmony grace

One pleading word and then I let

Prayer hold me in its embrace

Bernadette!

 

Davie Loggins – 1947

 

Please, come to Boston for the Springtime

I’m stayin’ here with some friends, and they’ve got lots of room

And you can sell your paintings on the side-walk

By a café where I hope to be workin’ soon

Please, come to Boston

 

“Come to Boston!” he pleaded  

“I’m living with friends,  a cafe nearby

Where I might get a job if needed”

She said “Are you fucking high?

 

I’m still right here in Tennessee

Raising our son, do you remember!?

I work two jobs just to feed him and me

And don’t even talk to me about Denver!”  

 

Ruth Westheimer – 1928

 

From nothing to thriving

She was good at surviving

She was also good at advising:

Don’t do that to him while driving!

 

Orphaned early by Auschwitz

But Nazis could not kill her will so

She  found she could easily  talk about it 

As well as vaseline, vaginas and dildos

 

Eros and Thanatos in one breath

Every day a little death

On the roof there is always a fiddler

Whose favorite tune is  “Fuck You Hitler!”

 

Melanie – 1947

 

“It was the song that doomed me to be cute 

for the rest of my life. I just wanted to be free

Don’t get me wrong – it was fun and I loved the loot

But sometimes, I want more than a Brand New Key

 

I know I’m not Joni, Joan or Judy

But I’ve been a part of this dance

And who else had a hit with the groovy

‘Bobo’s Party’  in France?

 

But it was that roller skate song that defined me

I wrote it eating a McDonald’s Happy Meal

I was a vegetarian dining  sublimely

And this ditty captured the way I feel 

 

I’ve often been asked if it’s metaphorical  

The innuendo of sex and getting high

OK – once more, and this is categorical:

The key to this song is “Lucy in the Sky “

 

Mitzi Gaynor – 1931

 

“I was the cock-eyed optimist of South Pacific

In love with this life although it will end

At being positive I’ve been pretty prolific 

Although I wouldn’t mind being fifty again

 

I once was booked on the Ed Sullivan’s show

My star rising just as I had planned

And everyone looked but wouldn’t you know

It’s hard to follow  “I Want to Hold Your Hand”?

 

With grace I accepted the rise and fall

Tears always seem to lead to a laugh

And how delightful it was to talk to Paul 

After he requested my autograph”

 

Liam Payne – 1993

 

Here’s someone who knew the high of frenzied fans

The lie of living on stage

One Direction, the quintessential boy band

Kept him from coming of age

 

In Argentina, this English boy

Fell in the night to his death

Left his family without the joy

Of the sweet sighs of his breath

 

Let no life be in vain

A death speaks to us all

Living amongst us is Liam Payne

Let’s catch them before they fall

 

Chuck Woolery – 1941

 

I want to avoid talking election

So many hopes destroyed

And now the host of “Love Connection”

Chuck Woolery departed to the void!

 

But maybe he was already there

His soul and he said their goodbyes

Right wing podcast extraordinaire

And Trump retweeted his lies 

 

In his last breath,  a murmur

A casual phrase, then he was through  

All agreed his final words were  

Back in two and two” 

 

Nikki Giovanni – 1943

 

I hate to admit that about her I’m clueless

But glad her words have found me

About race rapturously ruthless

And she sure knew how to set a boundary:

 

i always liked house cleaning

even as a child

i dug straightening

the cabinets

putting new paper on

the shelves

washing the refrigerator

inside out

and unfortunately this habit has

carried over and I find

i must remove you

from my life 

 

And now I will get out of the way

She had so much to say:

 

and I really hope no white person ever has cause

to write about me

because they never understand

Black love is Black wealth and they’ll

probably talk about my hard childhood

and never understand that

all the while I was quite happy

 

JD Souther – 1945

 

They aimed to be bigger than The Beatles

Especially with the new kid in town

And he was briefly one of The Eagles

But he just wanted to write for their sound

 

He liked that his songs were more famous than he

And that his bank account got fatter

He became who he wanted to be

And that is the heart of the matter

 

Will Jennings – 1944

 

The star-crossed crossing the Atlantic

Love,hope,desire – impossibly atmospheric

(Although that trio would give way to “frantic”)

This moment needs a really great lyric!”

 

So Jennings starts penning something romantic

Like maybe “I’ll love you even if you’re gone

And he is very good and the task is not titanic

So he tries “My heart will go on”. 

 

Ships could have launched on the ocean of tears

Caused by an English teacher who developed a knack

And won Oscars for scores in his later years

(and by the way…on the door, there was room for Jack!

 

Herbie Flowers – 1935

 

Two notes in twenty minutes

Double bass glissando ride

New York City, you are in it

Take a Walk on the Wild Side

 

The mother of all bass lines

Ominous glissando glide

It delivers it defines

Take a Walk on the Wild Side

 

It’s not too late you know

To be who you’ve denied

There is time before you go

Take a Walk on the Wild Side

 

Turn it on, turn it up

In coolness you abide

You have sheltered long enough

Take a Walk on the Wild Side

 

Do you ever tell yourself you are not beautiful?

Well, that part of you fucking lied!

Immerse yourself in the immutable

Take a Walk on the Wild Side

 

It was May and now it’s December

It’s been a wonderful place to abide

What do you  say? Give ‘em something to remember!

Take a Walk on the Wild Side!

 

And listen to the girls go

 

Doo, do-doo, do-doo, do-do-doo

Doo, do-doo, do-doo, do-do-doo

Doo, do-doo, do-doo, do-do-doo

Doo, do-doo, do-doo, do-do-doo

 

James Darren – 1936

 

Moondoggie with Gidget on the beach

Both were required to take a cuteness oath

New feelings came up, as yet out of reach

Becoming aware I had a crush on both

 

Maurice Williams – 1938     Edward Caraher – 1943

 

“Oh won’t you stay, a little bit longer”

Meanings change though words stay the same

In his final hours my brother got stronger

But it was his time and the doctor came

 

And as we stood around his bed

His breath slowed, he drifted away

I tried to accept but my heart said

Stay

 

I felt overcome, at the brink

Of bolting into the night of day

I am done, I need a drink

Stay

 

Years ago, I was detoxing from coke

Decided to leave and do it my way

I told the nurse, one word she spoke

Stay

 

Right now, on a ledge, someone is making a choice

All we can do is pray

Lift up your eyes, arms, heart, voice

Stay 

 

Please stay

 

John Mayall – 1933

 

 

 

The Godfather of British Blues

Tutored Clapton to become second best

(who was on top shouldn’t be news

Prince! Let’s put that to rest!)

 

The Bluesbreakers, an album influential

Though Mayall lived hand to mouth

It revealed the roots of rhythm essential

Black musicians of the American South

 

A Spilled Cup of Coffee  – 2024

 

Grinder whirs, aromatic, soon we will begin it

Eros stirs – the ecstatic coming in a minute

 

Steam rises, feel the heat

Healed by Isis, this day I greet

I know no crisis I cannot defeat

With the last of my vices, I take a seat.

 

Our lips brush, cure for the sick

Try not to rush it’s always over too quick

my mouth opens and……oh no…I lose my grip.

You slip

 

Floor is covered – a sea black as mud 

Oh dear lover I weep into your blood  

 

Tito Jackson – 1953      Tommy Cash – 1940    

 

Both immensely gifted

But by shadows covered up

And conversation often drifted

“Aren’t you the brother of….?”

 

Jerry Miller – 1943

 

Seattle – Jimmy and he

Before the “y’ was an “i”

Moved to the Bay, love was free

Before Jimmi kissed the sky

 

Jefferson Airplane, The Dead

1967 – a very good year

notoriety arrived and then it fled

But his brilliance did not disappear

 

But why no lasting fame?

Was it the name?

 

Moby Grape

 

Love – From the Start

 

Wait – a love obituary?

But love doth ne’er die nor grow old

And with the coming fourteen February

Should someone not be told? 

 

Now relationships – totally different story

And Death’s domain does pertain

Some ends are a profusion of glory others are gruesome and gory

But love…love will remain

 

Every falling in has a falling out

Romance is a delightful delusion

Giving our hearts removes all doubt

Love is the only solution

 

Something we will keep on doing

And there’s no winning if you’re not losing

 

Ella Jenkins – 1924

 

When she was about the age I am now

I met Ella Jenkins at a children’s music gathering 

I had just begun writing songs

All of which were for children

 

Ella was there to nurture, caress

I was for my future –  to impress

Ella was probably thinking how to guide us

I’m glad she could not see inside us:

 

“I definitely have the best song about “Hugs”! 

 

I did not know who Ella was

She knew me though

Because of my songs? No! Because

I was all what-about-me? white boy ego  

 

She gave me a gentle push

I suspect she saw what I could not see:

My heart   

 

And then I heard:

It’s not about you

It’s not about them

It’s about us

 

(by the way, It’s not a bad Hugs song

Though rhyming “you” with “you”

Is pretty much unforgivable)

 

Donald Sutherland – 1935

 

He never received an Oscar nod

In a long and illustrious career

Which began when he heard from God 

Hey you! You with the big ears!

 

His first encounter with a director 

He responded with gravity and grace

Even his mother said “you’re not good looking

But you have an interesting face’

 

“Ordinary People” I’ve watched over and over

Identifying with the son trying to be strong

Now that I am many years sober

I am the father who can sense what’s wrong

 

Sutherland subtly gets under our skin

He’s overwhelmed, completely stuck

But yet there is whisper deep within

which finally give rise to “What the Fuck?!

 

Sometimes love is hugs and tears

Steadfast comfort in a child’s night

Sometimes love is allaying fears

Sometimes “What the Fuck!?” is just right 

 

Maggie Smith – 1934

 

One of her performances was described as 

a staggering amalgam of counterpointed moods, 

switches in voice levels and obliquely stated emotions, 

all of which are precisely right.”

 

That’s exactly what I was going to say

But maybe not quite as specific 

An amalgam that staggers did not come my way

And I am left with “She was terrific!” 

 

Judith Jamison –  1943

 

 

The antithesis of the small-boned dancer demure

A performer of intelligence, warmth and wit

Alvin Ailey choreographed “Cry” just for her

She became a star – an immediate hit

 

In 1964, not a big demand for Black ballerinas

But Ailey witnessed an early  audition

He nurtured her and she became seen us

His muse and partner is creating a vision

 

Of representing the history of Black women

Archetypal origins Mother, Servant, Queen

And when he died, she continued their mission

Choreographer of the unseen 

 

An Iowa Cottonwood Tree – Circa 1920 

 

An old man rises on the farm where he was raised

Takes in the horizon unlike yesterday’s 

There’s a hole in the sky he once climbed so well

There’s a hole in the sky – the tree finally fell

 

It’s gone

He looks beyond 

 

He walks to where it lay, together they rest

And in their way, they pray,  love  professed

Together they lie, quietly talk

Then from edges of the sky,  the keening of a hawk 

 

It’s gone, we’re gone, we go on 

 

The hawk hovers in the cool spring air

Looking for cover that is no longer there

Trying to return, she circles the dawn

And when she is certain, she moves on

 

She’s gone

We are gone

We go on 

 

Terri Garr – 1944

 

 

 

She didn’t need words to seal a scene

For instance, Inga with Dr. Frankenstein

And you won’t find this often 

A marvelous meltdown with Hoffman

 

Elvis movies is where she came of age

Then a  film with The Monkees

In her hands, a ditsy blonde on the page

was warm, deep and endearingly funny

 

In Close Encounters of the Third Kind

Eyes of worry and pain  – to go or to stay

And another encounter now comes to mind

Who wouldn’t want a roll in ze hay?

 

Ron Ely – 1938

 

He was Tarzan, educated and urbane

Who goes back to his chimp and their ilk

Can’t help but wonder what happened to Jane

He probably said, “Goin’ out for milk!”

 

Trapped by that role right from the start

But his career wasn’t done for good

Who else could say they were cast in a part

Where an Amish girl goes to Hollywood?

 

When I write,  I just follow my muse

Often I find serendipitous beauty

Normally I would not choose 

To stream a Rumspringa movie.

 

Pete Rose – 1941

 

Banished from his only love

Never to be a prodigal

Born into the webbing of a baseball glove

(probably apocryphal)

 

Switch-hitting mythically-mad meme

Brightest star in the sky 

On his back he could carry a team

But crushed by the weight of a lie

 

He was a gift given to Hubris

Shakespeare knew this locale

I wonder how does one do this?

Be Falstaff as well as Hal

 

Ricky Henderson – 1958

 

Once he was on, no chance

Turned base-stealing into an art

He had a hard-to-pitch-to batting stance

a strike zone the size of Hitler’s heart.

 

Willie Mays – 1931

 

The kid who said “Say, hey!”

There could be no match

Two words. What else is there to say?

Yep! “The Catch”  

 

Image indelible we begin to see 

What put him on the map

Oh divine holy trinity

The Catch The Throw The Cap!

 

At the very top of his game

America had its doubts 

San Francisco shame

He could not buy a house

 

Say….hey…

 

Barbara Dane – 1927

 

Managers said if she “got her priorities straight”

She could make it big. Trust us!”

But the billboard charts would have to  wait

She kept singing about injustice 

 

A preacher like Seeger, singer of sparks 

Call and response – she answered the call  

She was  more taken by the Lenin of Marx

Than the one who was a pal of Paul

 

No chance for a royalty advance

She took a stance with wisdom and vision

She found romance and a way to dance

To “I Hate the Capitalist System” 

 

Zakir Hussain – 1951

 

Tabla fingers fly

precise beats melodic tones

Attentive presence

 

Shuntaro Tanikawa – 1931

 

The most revered poet of Japan

Nobel Prize – his name always around

Lonely litanies is where he began

Then came Snoopy and Charlie Brown

 

In a culture where to feel like a cog,

To be different can seem like a chance

Words of comfort came from a philosopher dog

To live is to dance!

 

Kazuko Shiraishi – 1931

 

Influenced by Miro, Dali, Coltrane

The Allen Ginsberg of Japan

On the road with artists profane

From Kerouac to Cezanne

 

I am the same as this river

flowing

when I sing I do a sinuous

dance as though the world exists in my hips

 

Never read her in English Lit

Didn’t look like the folks we know 

But Holy Mother she was doin’ it

Bein’ a Beat in Fuckin’ Tokyo

 

I am pretty sure she was the best

Said Ginsberg, the Shiraishi of the West

 

Duane Eddy – 1938

 

Born to Run intro guitar steady

Would not be without Duane Eddy

He was said to be the first Rock God

Which reminds me (this might sound odd

 

But I would have picked Rick Nelson

Oh my God I worshipped that guy

It’s not like I would tell someone

But I kinda got  lost in those eyes

 

Anyhow let’s get back to the guy

Who’s layin’ down a track up in the sky

And if the world ends I hope it’s with a bang

And we’re goin’ out to the sound of Twang

 

Mary Weiss – 1948

 

when it topped the charts she fit the scene

Melodramatic teenage angst yearning

Lead vocal Shangrillas – she was fifteen

Motorcycle love not returning

 

He wasn’t bad he was sad and misunderstood

That’s either way wise or way whack

But candy store hook-ups never turn out too good

But that’s where she fell for Leader of the Pack 

 

And now she’s gone

 

Shigeko Sasamori 1932

 

Everything is not human

No faces, no eyes, and red and burned

She awoke to the world of Truman

She became the lesson she had learned

 

She’d tell her tale and say that the future “does concern me

And really, here’s only one chance

Whatever conflict you face on your journey

Be kind to one another when you get mad, do the angry dance.” 

 

Many with hard lives do more than just get by

They  rise from ashes beautiful and bold 

I  kind of think I’m not that guy

My life feels hard when my coffee is cold

 

Mildred Thornton Stahlman – 1922

 

She developed neonatal ICU

To so many she embodied Hallelujah

I am so grateful, what would I do

Without my granddaughter Tallulah?

 

James Earl Jones – 1931

 

Raised by the parents of his mother

Adolescent silence because of a stutter

An English teacher’s reach is so that he

Regained the power of speech through poetry

 

Take heart you writers of verse!

You are making the world less worse!

Flavorless would be the cultural horizon

Vader-less and no Kingdom of Lions 

 

And wherefore art thou Lear

Othello, Titania and Kubrick’s bombardier?

A void endless without Fences

Senseless and intense-less

 

No more rolling thunder intonation

But i do wonder of this situation:

What if he came back for an encore

And replaced my track on “Walk Like a Dinosaur”? 

 

But now it’s time for you to pick up a pen

Start writing don’t stop till I say when

Put away the self-doubting knives

And write! Poetry saves lives! 

 

But maybe you say “I am no writer!”

But your muse will find a way

Whatever makes your eyes get wider

That’s poetry at play

 

And the best way to pray 

 

Olive Botey – 2019

 

Olive raised her own cassava plants

Loved playing football in the rain

Without a vaccine, she had no chance

The Congo’s rhythmic refrain

 

Because Olive loved to dance

Her family circled her grave

And moved as one to mournful chants

I read this, sorrow becomes rage

 

I want Kennedy and all the others

Every truth denier

To stand with Olive’s father, mother

And step into their fire

 

Olive was one of 6,000 this year in her country

Over 107,000 have died world wide

 

Measles

 

No one should die from the measles

 

Over the past several weeks, I have become acquainted with such a variety of beautiful lives but only Olive’s end makes me cry.  It resonates so deeply because for a moment I feel a personal loss; I fully understand what is  true: we are all connected. And here I am, standing, swaying, praying over her tiny wooden coffin. This beautiful dancer gone. And I feel such sadness over who she could have been, the lives she would have touched. As her life now, touches ours.

 

Be well everyone

 

Let us be kind and sweet

So we can look behind and greet

One another “We’re still alive!”

We all made it through 2025!  

 

Denny Caraher

 

dcaraher@gmail.com

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